elephantcandy

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studio-nomad:

{hangzavar, 2011 | cacophony, 2011}

BME TDK, Képzőművészeti Szekció, megosztott 1. hely

készítette: Pongor András, Pongor Soma, Tarcali Dávid

  Ez a hanginstalláció az információ áramlásának a lehetséges problémáit modellezi le. Az emberi félrehallásokra, az információ elévülésére és az ezekből adódó társadalmi problémákra próbál reflektálni. A kivitelezés letisztult és átlátható vonalvezetése, az analóg technika alkalmazása és a bonyolult technika mellőzése mind-mind az installáció kifejezőerejének erősítésére szolgál. 

   A walkmanek bekapcsolása után a szalag elindul. Mindegyik walkman más ponton játssza a szalagon levő hangot, ezáltal - bár a hang ugyanaz -, az összhangzat mégis kaotikus. A leolvasási pontok nem egyenlő távolságra helyezkednek el egymástól. Némelyik walkman hangosabb, másik halkabb lejátszásra képes, ezért az összhangzat nem homogén. A hangszóróhoz közel hajolva jobban kivehető, hogy egy-egy walkman hol tart a lejátszásban.

videó az installációról ITT 

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BME, Academic Student Conference in 2011, Artistic Section, Installation, divided 1st Prize

made by: András Pongor, Soma Pongor, David Tarcali

This sound installation depicts the possible problems of the flow of information. It tries to reflect the human misaudition, the lapse of information and the social problems which derive from these. The design is clear and it has a transparent structure. Using analog technology and ignoring complicated ones are all used to strenghten the expressiveness of installation.

  After turning on the walkman the tape starts to move. Each walkman plays the sound, which is on the tape, in a different point. However, the sound is the same the constants are chaotic. The reading points are not the same distance from each other. Some walkmans are louder while others are quieter so the consonants are not homogeneous. If you bend closer to the walkmans you can easily notice where they are in the course of replay.

video about work HERE


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Digital Enhancement

by Martin Bircher

http://mar.li/digital_enhancement.php

“Digital Enhancement” is an interactive sound installation consisting of an electrified Symphonion Brevet No. 28, a synthesizer, an amplifier and four headphones. The Symphonion musical box dates back to the beginning of the last century and its mechanical workings are combined with digital technology to convert it into a MIDI sequencer. The original music, embossed on steel plates, can be played on the synthesizer, which is programmed to mimic the sounds of the Symphonion. In order to operate the sequencer, a hand-cranked dynamo serves as a remote control.

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Versus

by

David Letellier

http://www.davidletellier.net/

Versus is a sound installation consisting of two kinetic sculptures placed face to face.

Each sculpture is made out of 12 triangular panels, hinged and powered by six linear actuators, controlled by a specific program. At the center of each corolla, a loudspeaker and a microphone allow to play and record sounds.

At regular intervals, each sculpture produces a sound, simultaneously recorded and analyzed by the opposite sculpture, which then moves according to the frequencies of this sound.

Like a feedback loop, it then plays back the recorded sound, with the errors and disturbances caused by the reverberating space and the visitors.

By intervening in this conversation, the viewer becomes an actor, as he degrades the communication by his presence and the noises he produces. As the panels move back and forth at a pace determined by the environmental sound, they create a non-immediate interaction, where the imperfections of reproduction are becoming creative elements.

The original sound is continuously transformed, and becomes something entirely new and unpredictable. The memory of past events is hold for a moment, until it’s reproduced, degraded, and then forgotten, replaced by the present.

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microhom:


An installation for used cassette players which looks on their obsolescence not as an ending, but as an opportunity to reconsider their functional potential. Superseded as playback devices, they become instruments in their own right. Replacing the prerecorded content of each tape with a microphone gives us the chance to listen instead to the rhythmic and resonant properties of these once ubiquitous plastic shells. Binatone Galaxy brings the framework within which a generation purchased their favourite records to the centre of attention, revealing the acoustics of the cassette and the voices of the machines themselves.

http://www.scrawn.co.uk/current.html

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Audio graffiti

by Mike Wozniewski

http://mikewoz.com/blog/

Audio Graffiti is a multi-user music installation that explores new modes of sonic interaction, afforded by the latest in locative technologies. Several mobile users may create and explore a gradually evolving collage of audio recordings, “stuck” to real walls in urban environments.

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BURNING PIPES - The Pneumatic Orchestra

check it out! http://pangenerator.com/

http://www.facebook.com/pangenerator

(- HEADPHONES RECOMMENDED -) !

▌▌▌▌▌▌▌▌▌ BURNING PIPES - The Pneumatic Orchestra

Kinetic audiovisual installation for burn 

displayed during burn Selector Festival 2011

Movement of the cans is controlled by 9 independent servos connected to the Arduino board while the sound is purely analogue - air pumped by 9 ordinary mattress pumps blows into the “whistles” at the top of plexiglass pipes. Tone is modulated by the current position of the can.

Lots of soldering, gluing, screwing, cutting and coding :)

soundtrack provided by Krzystof Zimmermann a member of  Few Quiet People label.

http://www.myspace.com/krzysztofzimmermann

http://www.fewquietpeople.com/

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Rainlith

In a responsive, real-time sculpture, the simple sonic qualities of a rainstick become electronically enhanced. Rainlith, a “kinetic sound art” work by Rui Gato, makes the rainstick itself robotic, its sounds transformed in space in a way that is itself sculptural. Responding to movement in the space using Microsoft’s Kinect, the apparatus is a geektastic brew of just about every tool you could imagine involved in this sort of construction.

via:

http://createdigitalmusic.com/

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Takram Design Engineering- Furin

http://www.takram.com/html/

On a grid of equilateral triangles, we hung a total of 280 glass wind chimes from the ceiling at varying heights to represent the undulation of a wave. When you walk underneath the wind chime, not only does it ring, but its LED also alights like a firefly. The wind chimes nearer to the ceiling ring in higher tones, and those hung lower in lower tones together offering 10 degrees of tonal expression. And it feels as though you are walking inside a large interactive instrument. Additionally, the wind chimes are networked together, so that the sound and light spreads to adjacent wind chimes like ripples in the water. This network system was based on the idea of behavior we observe among certain animals in nature that form groups.